It's Art When You Call It Art

The last session in Meilahti started off a bit differently than the others before it. I had a special guest: Arlene, the founder of Dear You workshops was there with me to tell about her latest installation piece. So we plunged to the world of installations and scratched the surface of performance art with a seasoned guide.

The outcome of the workshop was creative as always! We got a taste of Du Champ -style piece called Pen on the Floor, a miniature Pollock, Magic tricks of expectations, surprise performative art and framings and of course the Illuminati had it's hands on this workshop too.

We discovered that art is dialogue, a process where we interpret each other. Sometimes we get the gist of things and sometimes we get lost in translation but that's okay. No matter the distance we can always try to reach out to understand and find our horizons being broadened in the process. It's art when you call and treat is as such!

Using some of the words that the Dear You Artist in Meilahti mentioned, all in all we had a fun, new and magical ride on our Dear You journey!

- Nooralotta Ikonen
http://laiskia.blogspot.fi

Symbols of Good Times in Meilahti

Mail! We received our earth art pictures from Denmark with the Danish artists' twist on our photos. It's fun how the pieces evolved with their visit in Denmark. We see that the artists there really took the time to sense our world. Thank you!

To keep the communication going we took on the art from Denmark as our inspiration for November's Dear You assignment here in Meilahti, Helsinki. We thought about what symbols could communicate our thoughts of their artwork and our thoughts about the Dear You project in general. The symbols that popped into our minds were ones of mysticism, hope and celebration. We made stencils out of these images and started painting.

After our creative efforts our vast canvas had filled up with shooting stars, meatballs, bottles and variations of the symbols of social media and internet phenomena. This is who we are, this is what we see. Will you catch what we meant? Maybe you will, maybe you won't. The main point is that you try and in doing so, we'll meet each other half way.

- Nooralotta Ikonen
http://laiskia.blogspot.fi

The 7th and 8th graders at Randlevskolen make Environmental Art

Starting in September 2014 Line Hansen and her artists at Randlevskolen in Odder, Denmark will be creating with the artists at Meilahden Yläaste in Helsinki, Finland.  Below is a bit about their first workshop.

Line said, "Yesterday the 7th and 8th graders at Randlevskolen made environmental art. The students took some great photos and made some very different artwork, but they were all inspired by the nature around the school and the beautiful day that we had yesterday. They were really engaged in the process, and some of them could have continued for hours. They are also vey excited about receiving the artwork from Meilahti school.

We didn't have time for all the documentation and making a video message, but we will do that in our next English lesson on Tuesday. Sadly, we only have three English lessons per week, so we won't have time for working with video and photo editing. However, we would gladly post our video and photos anyway."

It's so wonderful that the participating schools can integrate Dear You into their curriculum. Both groups are learning video and photo editing outside the project with the shot material.

Meilahden Yläasteen School in Helsinki kicks off their first project!

The eighth graders of Meilahti School in Helsinki, Finland took part in the first Dear You workshop of this fall. We explored our surroundings through Environmental Art. In the upcoming sessions we're going to explore our inner environments with mindful art and top it all with explorations and meetings through performance.

During the first workshop we took our art gear to the park next to the school. We talked about how forms and colors affect the message and harmony of the art work. We took inspiration from Robert Smithson's Jetty Spiral and Kaija Kiuru's Hahmotelmia. Why had Smithson planned his work in a spiral form? Why had Kiuru chosen red strands for her work instead of green?

Most of the participants worked in teams. Every artist took the environment into account while planning and making their pieces.It was wonderful to witness the flow of ideas and how the artists came into a mutual understanding to ripen the ideas into fruition in the short time we had to execute our art work.

Next time we'll start working based on the art we receive from our new friends in Denmark. Can't wait what the wonderful artist of Meilahti school think of next!

- Nooralotta Ikonen
http://laiskia.blogspot.fi
Dear You Workshop Leader